Cristiano Prim Photos
Photography - Florianópolis, State of Santa Catarina, Brazil
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The ephemeral in the pictures of Cristiano PrimBy Lucila Vilela"You have to draw the eternal out of the transitory"Charles BaudelaireHow can an image load up with time? The question Agamben puts us in his essay on the treaty De la arte di ballare et danzare, by Domenico Piacenza marks the temporal presence in the art of dance. Even still the body at dance sustains the movement. It's what Didi-Huberman calls "immovable dynamism." When the body even stopped, doesn't stop dancing. There are multiple forces within that sustain the movement in a constant detention. On stage this temporality saturated moment is revealed as an audible silenced.Capturing the dance is one of the most difficult tasks a photographer can find. The moving body is fleeting and between jumps, falls, pauses and turns that happen and fade away in fractions of seconds. It's needed to find the exact time for the click. The photograph as a light design can grasp the time of each movement, but to the extent that a movement turns into another the image escapes. The photographer must be aware of that flash, tweaking the look to hook this fleetingness.In Cristiano Prim's pictures, dance appears. Finds in what's ephemeral that what can escape often revealing what is hidden, as intensity crossed by a cluster of light. His lens estabilishes a cut as a framework aimed to capture a detail that is often not the focus of the scene. With extensive experience in the field of scenic photography Prim is not limited to the record, on the contrary, his gaze affixed to the power of the image, full of temporality. He looks for a discovery found in a full and throbbing body. So it may happen, the risk is inevitable. Being able to capture the right moment in the movement possibilities, shifts in space and time differences, requires knowledge. Photographing dance is dealing with the unexpected. And for this you need to know. Cristiano Prim knows.Lucila Vilela
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