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The Art Economist is unique among art-oriented publications in that it is about the art market—specifically, the world's top earning, living contemporary artists—rather than about critical reviews or qualitative evaluations of individual artists. It is unique in not accepting advertising, allowing for completely independent judgments by its editors and writers, unflinching investigative reports, and no-holds-barred analytical research. Finally, it is the only art-world magazine with the look and feel of a museum catalogue. In carrying out its mission, the Art Economist presents insightful editorial on the most important international contemporary art markets, including leading galleries, art fairs, and auction houses. In so doing, it relieves its readers of the tedium of online research—we've done it for them. Nonetheless, recognizing that we live in an online world, The Art Economist provides its subscribers with an exclusive, secure, interactive website, with daily updates. With its unique positioning, insightful opinions by critically acclaimed journalists and illustrators, and fine design, the Art Economist is an invaluable tool for its audience, the world's wealthiest collectors of contemporary art.
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